The Whitsdom Press

Tag: Music

  • The 2026 Grammys: A Simple Guide to the Early Buzz

    The 68th Annual Grammy Awards are already generating serious buzz! While the show, set for February 1, 2026, is months away, the music world is already deep into the process of submitting work and making predictions. If you don’t follow music awards closely, the whole thing can seem confusing, so we’ve broken down the biggest talk points in simple terms.

    Who’s Making the Biggest Play? Kendrick Lamar and Pop Royalty

    In the major categories like Album of the Year (AOY) and Record of the Year, a few heavy-hitters are dominating the conversation.

    • Kendrick Lamar is seen as a top contender. His latest album, “GNX,” is widely predicted to be a major challenger for Album of the Year. This is a big deal because, even though he’s won many Grammys, he has never won AOY for one of his own projects. He’s also submitted his popular track “Luther” (featuring SZA) for Record and Song of the Year. Separately, his song “Like That” and his featured part on Beyoncé’s “AMERIICAN REQUIEM” have also been submitted.
    • Lady Gaga is predicted to grab multiple nominations, especially for her new work, “Mayhem”. Some analysts even think she could lead the pack in total top-category nods.
    • Sabrina Carpenter is another star in the mix and could land major nominations.
    • Other artists expected to contend for the biggest awards include Bad Bunny and Billie Eilish.

    The Best New Artist Race: New Talent Hits the Big Time

    The Best New Artist (BNA) award is always a thrilling category because it shines a light on fresh talent. This year, the race is wide open!

    • Two names you’ll hear a lot are Alex Warren and Sombr. Alex Warren is considered a front-runner, especially after his hit single “Ordinary”. Sombr is also gaining serious buzz from viral success.
    • Other possible nominees include Addison Rae, Ella Langley, The Marías, and Lola Young.
    • There’s been a rule change that now makes more artists eligible for BNA. To be considered, an artist must have released a minimum of three singles or one album, but no more than three albums total

    The Simple Guide to Grammy Voting 🗳️

    The Grammys aren’t a popularity contest voted on by fans; the winners are chosen by music professionals. The voting process happens in clear stages:

    PhaseDateWhat It Means
    First Round VotingOctober 3 – October 15, 2025Music pros vote to choose the official nominees for each award.
    Nominations AnnouncedNovember 7, 2025The full list of who made the cut is released.
    Final Round VotingDecember 12, 2025 – January 5, 2026Voters pick the final winners from the list of nominees.
    Grammy CeremonyFebruary 1, 2026The world finds out who won!.

    ✨ Final Thoughts

    The countdown is on, and the 2026 Grammys are looking like one for the books. Expect big performances, emotional wins, and maybe a few upsets too. Whether you’re team Kendrick, team Gaga, or just here for the music, this show’s about to deliver.

    So tell me — who you rooting for this year?

  • Kendrick Lamar & SZA’s Grand National Tour: A Cultural Reset

    Y’all. Let me just say this upfront: Kendrick Lamar and SZA’s Grand National Tour isn’t just a concert series—it’s a cultural reset. As a musical fan who’s been tracking every setlist, surprise guest, and viral moment from TikTok and Twitter (X.com), I’m here to break down why this tour is everything.

    Grand National Tour SOLD OUT show in Chicago 6/6/2025

    🚀 Tour Stats: Breaking Records & Selling Out Cities

    • Sold-Out Domination: 20 out of 23 North American shows SOLD OUT, averaging 49,000 fans per night. From Minneapolis to Toronto, cities are buckling under the demand.
    • Global Reign: shows across the U.S., Canada, and Europe (ending August 9 in Stockholm).
    • The Vibe: Named after Kendrick’s iconic Buick GNX (which literally rises onstage during his opener—chills!).

    🎤 The Magic: Why Their Duo Works

    Kendrick and SZA aren’t just sharing a stage; they’re merging two universes:

    • Kendrick’s World: Moody grays, military-precision choreography, and raw intensity. He raps under a lone streetlamp for “Reincarnated” like a hip-hop noir hero.
    • SZA’s World: A living garden with giant ants (“Anthony”), praying mantis dancers, and butterfly wings. She sang “Saturn” while floating in a cocoon gown—yes, REALLY.
    • Together: Their chemistry explodes during collabs like “All the Stars,” where they rise on separate platforms, singing to the skies. Poetry in motion.

    SZA transforms into a butterfly…or a fairy. We nicknamed her “Thickerbelle”🧚🏾‍♀️

    Doja hits the stage to join SZA in their hit “Kiss Me More”

    SZA soothes Justin Beiber to their duet hit “Snooze”

    Lizzo and her new body performs her hit with SZA, “Special”

    🌟 Special Guests: The A-List Parade

    The surprises have been UNREAL:

    • Playboi Carti jumped out in Atlanta for “Good Credit” squawking like a bird. The moshpit people loved it.
    • Baby Keem (Kendrick’s cousin) crushed “Family Ties” in New Jersey.
    • Lizzo brought viral energy to “Special” in L.A., while Justin Bieber swooned with SZA on “Snooze”. I don’t care what yall say, whatever Justin is going through, it didn’t matter on that stage with SZA. She made sure he felt safe.
    • Doja Cat emerged from literal bushes to perform “Kiss Me More” in Vegas (and I screamed).
    • Celebs in Crowds: Pusha T, Roddy Rich, Lebron James, Queen Latifah, Erykah Badu, Ronald Isley & Kandy Johnson, Jermaine Dupri, Anderson Paak are a few to name who attended shows with their loved ones.

    💄 SZA’s NOT BEAUTY Pop-Ups: Gloss & Glam On Tour

    Between sets, SZA’s been hustling her vegan lip gloss line, NOT BEAUTY, with pop-ups in every city:

    • Shades: “Strawberry Jelly,” “In the Flesh,” and “Quartz” ($23 each).
    • Vibes: Free entry, fan meet-ups, and Kendrick even showed face at the New Jersey event looking all cute and healed. Boss moves.
    Kendrick Lamar surprised fans at SZA’s “Not Beauty” pop-up event in New Jersey at the American Dream Mall.

    🔥 Iconic Moments We’ll Never Forget

    • Super Bowl Tease: Their Halftime Show collab was a sneak peek of this tour’s power
    • Kendrick performing “Good Credit” live. I told yall Good Credit was going to be a hit, but yall were so upset he did a collab with Playboi Carti. Good business is good business and if you got good credit, you’ll get more good business.
    • Kendrick’s “Not Like Us” turned from diss track to Black excellence anthem, backed by vibrant visuals of African art and Funkadelic.
    • SZA’s “Kill Bill” with a female mantis EATING HER MATE on screen. Dark? Yes. Genius? Absolutely.
    • Their fake deposition skit trolling Drake’s lawsuit: SZA smoking a joint while Kendrick orders takeout. PETTY.
    Kendrick performing “Good Credit”

    💡 Why This Tour is Changing the Game

    As a fan, here’s my take:

    1. Business Brilliance: By co-headlining, they’ve doubled their reach. Kendrick’s rap stans + SZA’s R&B hive = UNSTOPPABLE.
    2. Artistic Trust: These are two TDE OGs (labelmates since 2013!) who respect each other’s craft. Their collabs (“Luther,” “30 for 30”) feel organic, not forced .
    3. Innovation: Who else blends insect ballets with Pulitzer-level rap? They’re pushing live shows into new dimensions.
    Even got the security guards dancing…

    🎯 Final Thoughts

    The Grand National Tour isn’t just about music—it’s about community. From SZA’s beauty pop-ups (shoutout to the gloss girlies!) to Kendrick’s L.A. hometown love, they’re proving that hip-hop and R&B can share space, shine together, and sell out STADIUMS.

    If you snagged tickets: I envy you. If not? Track those resales. Watch from TikTok! History is being made, and y’all better witness it! 🔥

    Tour dates + merch at grandnationaltour.com 

  • Lil Wayne’s Producer Sues Universal Music Over Unpaid Royalties

    Looks like Drake isn’t the only one with their foot on UMG’s neck. Now a music producer is asking to be paid what he’s owed.

    Deezle (real name Darius Harrison), a producer who worked with Lil Wayne, is suing Universal Music Group (UMG). He claims they haven’t paid him millions in royalties. He is owed this money for his work on albums like Tha Carter III (2008) and others.

    Deezle and his company, Drum Major Music, recently filed the lawsuit in a New York court. This time, they are targeting only Universal Music. This isn’t his first legal fight. Back in 2008, Deezle sued Lil Wayne over similar issues. The case was settled in 2012. Despite that agreement, Deezle says the royalty problems never fully went away.

    Lil Wayne’s Tha Carter III album

    According to the lawsuit, Deezle signed a deal with Lil Wayne’s label, Young Money Entertainment, in 2007. Under that deal, he helped create six songs for Tha Carter III, including the hit “Lollipop.” The agreement promised him regular royalty payments and detailed financial reports. Universal Music handles distribution for Young Money and Cash Money Records. It was supposed to send these payments. However, Deezle claims he hasn’t received royalties in over a decade.

    The lawsuit argues that after the 2012 settlement, Universal briefly sent payment statements but stopped almost immediately. Deezle also says he’s owed money for work on rapper Birdman’s 2005 album. This is for Fast Money. He is also owed money for a song on The Longest Yard soundtrack.

    Deezle is now asking for at least $6 million in damages. He joins other artists, like Iggy Azalea and Limp Bizkit, who’ve accused Universal of failing to pay royalties properly. Universal Music has not yet publicly responded to the lawsuit.

  • 300 Entertainment’s Kevin Liles Faces High-Profile Lawsuit

    Kevin Liles is a prominent American music executive and entrepreneur. He is best known as the co-founder and former CEO of 300 Entertainment. This is a powerhouse label behind artists like Megan Thee Stallion, Young Thug, and Migos. A key figure in hip-hop culture, he has expanded Def Jam’s global reach. He launched innovative ventures like artist services divisions and brand expansions into gaming and TV.

    Beyond music, Liles is a philanthropist. He focuses on education and community initiatives through his Kevin Liles for a Better Baltimore Foundation. He also authored the bestselling business guide Make It Happen.

    Kevin Liles: Music mogul, Def Jam president, 300 Entertainment co-founder. Faced 2025 sexual assault lawsuit he denies.

    Recently, he stepped down as CEO of 300 Entertainment in late 2024. He has faced a high-profile sexual assault lawsuit filed in early 2025. He denies the allegations as “patently false” and is trying to dismiss a sexual assault lawsuit filed against him. This action is sparking rumors, side-eyes, and a lot of chatter in the industry. The legal drama has been quietly brewing. It just hit a boiling point as Liles’ lawyers demand the case be thrown out. But is this a victory lap or a desperate Hail Mary?

    According to court docs, the lawsuit accuses Liles of misconduct dating back years. But the CEO of 300 Entertainment isn’t staying quiet. His legal team has fiercely denied the claims, calling them “baseless” and arguing there’s zero evidence to back them up. They’re now urging a judge to dismiss the case entirely, claiming it’s riddled with inconsistencies and “conveniently timed” allegations. Ouch.

    So, why the sudden move to shut it down? Sources close to Liles hint the lawsuit is a “targeted money grab.” They point out the accuser’s delayed timing. They also highlight the lack of documentation. Meanwhile, critics argue this is just another powerful figure using legal loopholes to dodge accountability. The drama has left the music world split—with some rallying behind the exec and others demanding transparency.

    But here’s the tea: Even if the case gets dismissed, the damage to Liles’ rep might already be done. Social media is buzzing with debates, and industry watchers are side-eyeing how these high-profile battles play out behind closed doors. Will this end quietly, or could more skeletons tumble out of the closet?

    For now, the ball’s in the court’s hands. But one thing’s clear: This isn’t just a legal fight—it’s a PR war. And in the court of public opinion, everyone’s got a verdict.

  • Dawn Robinson: From Music Stardom to Homelessness

    Dawn Robinson became famous in the 1990s as a member of the hit R&B group En Vogue. Known for songs like “Hold On” and “My Lovin’ (You’re Never Gonna Get It),” her powerful voice made her a star. But years later, she faced tough times, even living in her car.

    Her Music Career

    En Vogue (1990) Born to Sing album

    Dawn started with En Vogue in 1989. The group’s albums, like Born to Sing (1990) and Funky Divas (1992), sold millions of copies. She sang lead on big hits like “Free Your Mind” and “Don’t Let Go (Love).” But in 1997, she left the group after fighting over money and contracts.

    Lucy Pearl, 2000

    After En Vogue, she joined a new group called Lucy Pearl with other famous musicians. Their first album did well, but Dawn left when she felt she wasn’t paid fairly. She later released her own solo album in 2002 and sang on songs for movies like The Rugrats Movie. She also acted in TV shows, including R&B Divas: Los Angeles.

    Money Problems and Living in Her Car

    @tmz

    DawnRobinson, the leading voice for R&B powerhouses EnVogue, LucyPearl, and even Dr. Dre’s Firm supergroup at one point, is cleaning out her closet … revealing she’s been homeless, sleeping in her car for nearly 3 years. Full story in bio!

    ♬ original sound – TMZ – TMZ

    By 2022, Dawn’s career had slowed down. She said managers treated her unfairly, and family issues made things harder. At one point, a manager paid for her to stay in a hotel for eight months but wouldn’t help her find a permanent home. Feeling trapped, she decided to live in her car instead. In 2025, she explained, “I felt free living in my car. I’m learning about who I am.”

    Dawn Robinson and, now ex-husband Andre Allen in 2004

    In March 2025, her ex-husband, André Allen—who works at a Hilton hotel—offered her a job to help her get back on her feet. Though they divorced in 2010, they stayed friends. He said he cared about her and wanted her to have stability. But Dawn turned down the offer, saying she wanted to stay independent and keep focusing on music.

    Speaking Out Against Unfair Treatment

    Dawn has always been open about how the music industry treated her poorly. She claims En Vogue made very little money from selling 28 million records, saying each member earned just “two cents per girl.” She also said she lost her house after leaving Lucy Pearl because of payment disputes.

    Her Legacy and Strength

    Even with her struggles, Dawn’s music legacy is huge. En Vogue earned eight Grammy nominations during her time with the group, and she won awards like the Soul Train Music Award. Today, she still makes music and encourages fans to support groups that help artists in need.

    What We Can Learn

    Dawn’s story shows how fame doesn’t always mean financial safety, especially for older artists who didn’t earn much from streaming or fair contracts. Her choice to live in her car—and say no to her ex-husband’s help—proves she values her freedom over comfort. Her life reminds us to treat struggling artists with kindness and push for better support in the music industry.

  • Remembering Cat Glover: The Dance Icon Behind Prince

    The world has lost yet another legendary artist. Cat Glover, an extraordinary dancer, choreographer, and creative force, has passed away. Cat was known for her iconic collaborations with the late singer Prince. Her unique style and raw talent forever transformed the landscape of dance and music.

    Born Catherine Vernice Glover. She began her career as a professional dancer in the early 1980s. She quickly rose through the ranks of the entertainment industry. Cat was renowned for her high-energy moves, street dance influence, and ability to combine precision with improvisational flair. These qualities caught the attention of none other than Prince. She would go on to share some of the most memorable moments in music history with him.

    Cat Glover in dance group ‘Pat & Cat’ performing on Star Search semifinals in 1986.

    Cat’s introduction to the Purple One came in the mid-1980s. This was during a time when Prince was solidifying his legacy as a musical genius and cultural icon. Their partnership began when she became one of his principal dancers.

    Cat Glover with Prince

    She captivated audiences on his Sign o’ the Times tour in 1987. Her fierce performances in the accompanying concert film, also titled Sign o’ the Times, made her an instant fan favorite. She became particularly popular during her solo dance sequence in “Hot Thing.” This film immortalized Glover’s ability to command the stage, and her chemistry with Prince was electrifying.

    Prince performs ‘Hot Thing’ with Cat Glover in background on Sign O’ the Times tour.

    Beyond her undeniable dance skills, Cat’s influence extended into the realm of choreography. She helped craft some of the distinctive movements that made Prince’s stage shows legendary. She added her own flavor to his concerts and videos. Their collaboration was not only professional but deeply artistic. Cat embodied the creative energy that made Prince’s performances so iconic.

    Prince and Cat Glover perform ‘Erotic City’ with Sheila E. on Lovesexy tour.

    Though best known for her work with Prince, Cat Glover’s talent was boundless. She worked with other prominent artists and left her mark on the entertainment industry with her choreography and performances. She helped bridge the worlds of street dance and pop culture. She contributed to the evolution of dance styles that continue to influence performers today.

    Cat Glover in 2006

    The loss of Cat Glover is profound. She was a beacon of creativity. She was also a dancer who lived fully in her art. Fans of Prince, the music community, and dance aficionados alike will remember her for her dynamic energy. They will honor her trailblazing spirit. Her everlasting contributions to the world of entertainment will never be forgotten.

    Rest in power, Cat Glover. You were truly one of a kind, and your legacy will continue to inspire future generations of dancers and artists.

  • Kendrick Lamar’s “Not Like Us”: A Cultural Phenomenon

    Kendrick Lamar’s latest release, “Not Like Us,” has taken the music world by storm, not just for its catchy beats and sharp lyrics, but for its profound impact on social media, cultural trends, and the Black community. The song, a diss track aimed at Drake, has sparked conversations far beyond the realm of music, touching on themes of authenticity, community, and cultural representation.

    Kendrick Lamar “Not Like Us” –Directed by Dave Free & Kendrick Lamar– Production Company: pgLang–July 4, 2024

    The Music Video: A Visual Masterpiece

    The music video for “Not Like Us,” directed by Kendrick Lamar and Dave Free, is a visual feast that complements the song’s energetic and defiant tone. Set in Compton, the video features vibrant scenes of community gatherings, dance sequences, and symbolic imagery. One standout moment is when Lamar beats an owl-shaped piñata, a nod to Drake’s OVO label, and another where he tucks a Bible into his jacket, symbolizing his grounding in faith and culture.

    The video culminates in a heartwarming scene with Lamar, his fiancé Whitney Alford, and their children, countering Drake’s allegations about Lamar’s family life. This powerful visual statement not only refutes personal attacks but also celebrates Black family unity and resilience.

    Social Media Frenzy

    Upon its release, the “Not Like Us” video quickly went viral, amassing millions of views within hours. Social media platforms were flooded with reactions, memes, and discussions. Fans praised Lamar’s lyrical prowess and the video’s artistic direction, while also engaging in debates about the ongoing feud with Drake.

    The hashtag #NotLikeUs trended on Twitter, with users sharing their interpretations of the video’s symbolism and its broader cultural implications. TikTok saw a surge in dance challenges inspired by the video’s choreography, further cementing the song’s place in popular culture.

    Cultural Trends and Impact

    “Not Like Us” has become more than just a song; it’s a cultural anthem. Its success has sparked a renewed interest in diss tracks and lyrical battles, a staple of hip-hop culture. Moreover, the song’s themes of authenticity and community resonate deeply with listeners, particularly within the Black community.

    Lamar’s critique of Drake’s perceived inauthenticity has opened up broader conversations about cultural appropriation and the importance of genuine representation in the music industry. By highlighting these issues, Lamar encourages artists and fans alike to reflect on the true essence of hip-hop and its roots in Black culture.

    Prolific photo from the Ken & Friends the Pop Out show.

    Impact on the Black Community

    For the Black community, “Not Like Us” is a powerful affirmation of identity and resilience. Lamar’s music has always been deeply rooted in his experiences as a Black man in America, and this song is no exception. It speaks to the collective struggles and triumphs of the community, offering a sense of solidarity and empowerment.

    The video’s depiction of Black joy and unity, set against the backdrop of Compton, serves as a reminder of the strength and beauty of Black culture. It challenges negative stereotypes and celebrates the richness of the Black experience, inspiring pride and confidence in viewers.

    Conclusion

    Kendrick Lamar’s “Not Like Us” is more than just a diss track; it’s a cultural phenomenon that has sparked important conversations and inspired a wave of creativity and solidarity. Through its powerful lyrics, stunning visuals, and profound impact on social media and the Black community, the song has solidified Lamar’s place as one of the most influential artists of our time. As we continue to engage with and reflect on “Not Like Us,” it serves as a reminder of the power of music to unite, inspire, and provoke thought.

  • The Pop Out: Ken & Friends Concert Highlights and Performances

    On the historic day of Juneteenth, Kendrick Lamar, an icon of modern hip-hop, took the stage in Los Angeles for a one-night-only event that was much more than a concert—it was a cultural celebration. Titled “The Pop Out: Ken and Friends,” the event was held at the Kia Forum and featured a star-studded lineup that included some of the biggest names in the music industry. Juneteenth, a day commemorating the end of slavery in Texas, was the perfect backdrop for an event that celebrated African American culture and music. Kendrick Lamar’s concert was not just about entertainment; it was a statement of artistic freedom and a nod to the ongoing struggle for equality.

    https://www.youtube.com/watch?v=IxqtC433vrA&pp=ygUea2VuZHJpY2sgbGFtYXIgbGl2ZSBpbiBjb25jZXJ0
    Full video of The Pop Out: Ken & Friends concert. (Youtube channel – @JayOhEn)

    The Lineup

    The evening saw performances from a host of artists, each bringing their unique flair to the stage. The event kicked off with DJ Hed, who set the tone for the evening with a mix that celebrated West Coast hip-hop. His set featured guest performances from a variety of artists, showcasing the diversity and talent of the region. Following DJ Hed, DJ Mustard took the stage, delivering a set that highlighted his signature sound. Mustard’s performance was a special moment, with appearances from artists like Ty Dolla Sign, who brought their own energy and style to the concert.

    The legendary Dr. Dre, the innovative Tyler, the Creator, and the dynamic YG were among the performers who ‘popped out’ to support Lamar. During his set, Lamar performed four of his five Drake-aimed diss tracks for the first time, including “Like That,” “Euphoria,” “6:16 in LA,” and “Not Like Us,” the latter of which he performed five consecutive times. This performance was a powerful statement in the wake of his highly publicized feud with Drake.

    A Unified California

    Kendrick Lamar’s “Pop Out” concert was a testament to the unity of California’s artists. The lineup was a who’s who of West Coast talent, all coming together to celebrate their roots and influence on hip-hop culture. It was a powerful display of solidarity and a reminder of the state’s rich musical heritage. The event was more than just a concert; it was a community gathering that offered voter registration courtesy of HeadCount, encouraging attendees to engage in civic participation. This move underscored the importance of community involvement and the power of music to inspire action.

    A Night to Remember

    For those who attended, “The Pop Out: Ken and Friends” was an unforgettable experience. The concert sold out almost immediately, indicating the high anticipation and excitement among fans. For those unable to attend, the concert was live-streamed, allowing fans worldwide to partake in the festivities.

    In conclusion, Kendrick Lamar’s Juneteenth concert was a celebration of music, culture, and community. It was a night where artistry and activism intertwined, leaving a lasting impression on all who witnessed it. As Kendrick Lamar continues to push boundaries and use his platform for change, “The Pop Out: Ken and Friends” will be remembered as a pivotal moment in music history.

    If you want to see a few funny reactions about the concert, check out the video below!